productions

Heaven on Earth, directed by Dan Safer will perform at PS 122 in the Fall of 2010.

American Document, directed by Anne Bogart with the SITI Company and the Martha Graham Dance Company, as part of the Under the Radar Festival at the Public Theatre, January 2010. It will also be presented at the Joyce Theatre in June 2010.

Coney Island Avenue was directed by Anjali Vashi and performed at New York Theater Workshop's 4th Street Theater, August 2009.

Under Construction, directed by Anne Bogart, performed at the Humana Festival, Actors Theatre of Louisville, March–April 2009.

Cardenio, written with Stephen Greenblatt was directed by Les Waters, performed at American Repertory Theatre in Cambridge, May–June 2008.

Fire Island was directed by Kevin Cunningham and performed at 3 Legged Dog, April–May 2008.

Paradise Park, directed by Daniel Fish, was performed at the Signature Theatre in February–March, 2008.

Queens Boulevard, directed by Davis McCallum, performed at the Signature Theatre in November–December, 2007.

Iphigenia 2.0, directed by Tina Landau, performed at the Signature Theatre in August–September, 2007.

Gone, directed by Kenn Watt, performed at 59e59 in February, 2007.

Mail Order Bride, directed by Eric Parness, performed at Resonance Ensemble in November, 2006.

Hotel Cassiopeia, directed by Anne Bogart, performed at the Humana Festival, Actors Theatre of Louisville in March, 2006.

Fetes de la Nuit was directed by Les Waters and performed at Berkeley Rep in the winter of 2005.

Belle Epoque was done with Martha Clarke and performed at Lincoln Center in the winter of 2005.

A Perfect Wedding was directed by Gordon Davidson and performed at the Kirk Douglas Theatre in Los Angeles in the fall of 2004, and was done in December, 2005, with Tongeelgroep Amsterdam, directed by Ivo van Hove.

The War To End War, as an opera, composed by Nathan Birnbaum, had its premier at the University of California Irvine in 2004, directed and choreographed by Annie Loui.

Salome was directed by Jan Lauwers and performed in Brussels, Paris, Salzburg, Hamburg, Frankfurt, Leuven, Dieppe, and Toulouse in 2003, and in subsequent years in Bruges, Ghent, Villeneuve, the Festival de Marseille, Vienna, Dublin, Glasgow, the Dublin Theatre Festival, Antwerp, and Groningen.

Snow in June was directed by Chen Shi-Zheng and performed at the American Repertory Theatre in Cambridge in 2003.

Limonade Tous Les Jours was directed by Marc Masterson at Actors Theatre of Louisville in 2002. The play was subsequently done in other productions in Austin, Texas, and at the Bay Street theatre in Sag Harbor, New York.

Vienna Lusthaus (Revisited) was directed by Martha Clarke and performed at New York Theatre Workshop in the spring and summer of 2002 and then toured.

Wintertime, directed by Les Waters, was done at La Jolla in the summer of 2002, and at the Long Wharf Theatre in New Haven, and in other productions at ACT Seattle, the Guthrie Theatre in Minneapolis, the McCarter Theatre, San Jose Repertory Theatre, the Roundhouse Theatre in Washington, Second Stage in New York, and the Wilma Theatre in Philadelphia.

The Trojan Women: A Love Story was directed by Matthew Wilder at the California Institute of the Arts in December 2001.[view]

True Love was directed by Daniel Fish and produced by Jeanne Donovan Fisher at the Zipper Theatre in the fall of 2001.

True Love was also directed by Ivo van Hove and produced as part of the Holland Festival in June, 2001, and subsequently joined the repertory of the national theatre of the Netherlands.

Big Love was directed by Les Waters and produced at the Actors' Theatre of Louisville in 2000, and, in 2001, at the Long Wharf Theatre in New Haven, CT, Berkeley Rep in California, the Goodman Theatre in Chicago, and the Next Wave Festival at the Brooklyn Academy of Music.[view]

Big Love was also directed by Brian Kulick and produced at ACT in Seattle in 2001 and by Darron West and produced by the Rude Mechanicals in Austin, Texas, in 2001.

First Love was directed by Erin Mee and produced at New York Theatre Workshop in the fall of 2001. [view]

bobrauschenbergamerica was directed by Anne Bogart and performed by the SITI company at the Actors' Theatre of Louisville in the spring of 2001.

Summertime was directed by Kenn Watt and produced at the Magic Theatre in 2000.[view]

Full Circle (a re-titled Berlin Circle) was directed by Robert Woodruff and produced at the American Repertory Theatre in 2000. It was also directed by David Schweizer and produced at The Evidence Room in Los Angeles in 2000.

The Berlin Circle was directed by Tina Landau and produced at Steppenwolf in the fall of 1998. [view]

Time to Burn was directed by Tina Landau and produced at Steppenwolf in February, 1997. [view] It was subsequently directed by Leland Patton and
produced by Resonance Ensemble in New York in 2004.

The Trojan Women A Love Story was directed by Tina Landau, and produced by En Garde Arts in New York in the summer of 1996.

Chiang Kai Chek was directed by Bill Akins and performed at the Institute for Advanced Studies in the Arts in Arizona State University, Spring, 1996.

My House Was Collapsing Toward One Side, written and directed by Charles Mee, was produced by Erin Mee at New York’s Dance Theatre Workshop, spring, 1996.

Agamemnon, directed by Brian Kulick, was produced by the Actors' Gang in Los Angeles in 1994.

The War to End War, directed by Matt Wilder, was produced at the Sledgehammer Theatre in San Diego in 1993.

The Bacchae, directed by Brian Kulick, was produced at the Mark Taper Forum's Festival of New Work in Los Angeles in 1993 and elsewhere.

Orestes, based on the text by Euripides, developed with Robert Woodruff, was directed by Tina Landau in 1992 at the American Repertory Theatre Institute, by Anne Bogart at the Saratoga International Theatre Institute, and subsequently produced by En Garde Arts in New York, by the Actors' Gang in Los Angeles, in San Diego, Williamstown, San Francisco, Seattle, Chicago, and elsewhere.

Another Person is a Foreign Country, a site-specific theatre piece, directed by Anne Bogart, was produced in New York by En Garde Arts in 1991.

The Investigation of the Murder in El Salvador, directed by David Schweizer, was produced at New York Theatre Workshop in l989 with the help of a grant from the Fund for New America n Plays.

The Imperialists at the Club Cave Canem, directed by Erin Mee, was produced at HOME and at the Public Theatre in New York in l988.

Vienna: Lusthaus, directed by Martha Clarke, played at the Public Theatre in New York, the Kennedy Center in Washington, Venice, Vienna, Paris, and a number of other cities in Europe, and won the Obie for Best Play for l986.