|
B: Recommended
|
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|
*Blue Is the Warmest Color (Kechiche) 69
|
|
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|
|
Stray Dogs (Tsai) 69
|
|
|
|
Moebius (Kim) 68
|
|
NO (Larraín) 68
|
|
|
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|
|
°The Selfish Giant (Barnard) 68
|
|
|
The World's End (Wright) 67
|
|
|
|
*Before Midnight (Linklater) 67
|
|
|
Reality (Garrone) 66
|
|
|
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|
|
°Young & Beautiful (Ozon) 66
|
|
|
|
°Gloria (Lelio) 66
|
|
|
Oz the Great and Powerful (Raimi) 65
|
|
|
|
*Dead Man's Burden (Moshé) 64
|
|
|
|
|
Shield of Straw (Miike) 64
|
|
°Jayne Mansfield's Car (Thornton) 64
|
|
|
|
|
|
We Are the Best! (Moodysson) 64
|
|
B-: Recommended with Strong Reservations
|
|
Porfirio (Landes) 60
|
|
|
|
|
Stories We Tell (Polley) 60
|
|
|
|
The Last Stand (Kim) 60
|
|
|
|
*More Than Honey (Imhoof) 60
|
|
|
|
|
Closed Curtain (Panahi, Partovi) 60
|
|
|
*A Touch of Sin (Jia) 59
|
|
|
|
|
The Major (Bykov) 59
|
|
|
Black Rock (Aselton) 59
|
|
|
|
Captain Phillips (Greengrass) 59
|
|
|
To the Wonder (Malick) 59
|
|
|
|
Beyond the Hills (Mungiu) 59
|
|
|
|
|
|
The Strange Colour of Your Body's Tears (Cattet, Forzani) 58
|
|
|
|
The Great Beauty (Sorrentino) 58
|
|
|
*Welcome to the Punch (Creevy) 58
|
|
|
|
The Conjuring (Wan) 58
|
|
|
|
|
°Dom Hemingway (Shepard) 58
|
|
|
Blue Jasmine (Allen) 58
|
|
|
|
Yossi (Fox) 57
|
|
|
|
|
°Inside Llewyn Davis (Coens) 57
|
|
|
|
°The F Word (Dowse) 57
|
|
|
*Short Term 12 (Cretton) 57
|
|
|
|
|
Blind Dates (Koguashvili) 57
|
|
|
Much Ado About Nothing (Whedon) 57
|
|
|
|
*Eddie (Rodriguez) 57
|
|
|
The Angels' Share (Loach) 56
|
|
|
|
|
|
October November (Spielmann) 56
|
|
|
|
°The Immigrant (Gray) 56
|
|
|
*The Square (Noujaim) 56
|
|
|
|
*Still Mine (McGowan) 56
|
|
|
|
*I Give It a Year (Mazer) 56
|
|
|
|
2 Guns (Kormákur) 56
|
|
|
Night Across the Street (Ruiz) 56
|
|
|
|
|
Wadjda (Al Mansour) 55
|
|
|
|
|
°At Berkeley (Wiseman) 55
|
|
°Berberian Sound Studio (Strickland) 55
|
|
|
|
|
|
Amity (Adams) 55
|
|
|
*A Band Called Death (Howlett, Covino) 55
|
|
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|
|
Our Sunhi (Hong) 55
|
|
|
|
Behind the Candelabra (Soderbergh) 55
|
|
|
The Place Beyond the Pines (Cianfrance) 55
|
|
|
C+/B-: On the Fence, Leaning Forward
|
|
|
Would You Rather (Levy) 54
|
|
|
|
*Concussion (Passon) 54
|
|
|
|
|
°The Unknown Known (Morris) 54
|
|
°The Hunt (Vinterberg) 54
|
|
|
|
|
*Stoker (Park) 54
|
|
|
|
*Hell Baby (Garant, Lennon) 54
|
|
|
|
|
Michael Kohlhaas (Des Pallières) 54
|
|
|
*American Promise (Brewster, Stephenson) 53
|
|
|
|
*The Motel Life (Polskys) 53
|
|
|
|
*Venus and Serena (Baird, Major) 53
|
|
|
|
*Supporting Characters (Schechter) 53
|
|
|
|
*How to Make Money Selling Drugs (Cooke) 53
|
|
|
In the House (Ozon) 53
|
|
|
|
Laurence Anyways (Dolan) 53
|
|
|
|
|
*Parkland (Landesman) 53
|
|
|
|
*A Case of You (Coiro) 52
|
|
|
|
*Mr. Nobody (Van Dormael) 52
|
|
|
|
|
Borgman (Van Warmerdam) 52
|
|
|
*Pacific Rim (Del Toro) 52
|
|
|
|
*My Brother the Devil (El Hosaini) 52
|
|
|
The We and the I (Gondry) 52
|
|
|
|
|
|
Seduced and Abandoned (Toback) 52
|
|
C+: Take It or Leave It
|
|
°The Last Time I Saw Macao (Rodrigues, Guerra da Mata) 51
|
|
|
|
|
Machete Kills (Rodriguez) 51
|
|
|
|
*In a World... (Bell) 51
|
|
|
|
*Lee Daniels' The Butler (Daniels) 51
|
|
|
|
*Touchy Feely (Shelton) 51
|
|
|
Something in the Air (Assayas) 51
|
|
|
|
|
*Capital (Costa-Gavras) 51
|
|
|
|
Beautiful Creatures (LaGravenese) 50
|
|
|
|
|
Nobody's Daughter Haewon (Hong) 50
|
|
|
*A Teacher (Fidell) 50
|
|
|
|
|
°Stranger by the Lake (Guiraudie) 50
|
|
|
*Great Expectations (Newell) 50
|
|
|
°In the Fog (Loznitsa) 50
|
|
|
|
|
|
°The Last of the Unjust (Lanzmann) 50
|
|
|
*The Artist and the Model (Trueba) 50
|
|
|
|
*Best Man Down (Koland) 49
|
|
|
|
*Future Weather (Deller) 49
|
|
|
|
|
Night Moves (Reichardt) 49
|
|
Pieta (Kim) 49
|
|
|
|
|
*The Grandmaster (Wong) 49
|
|
|
|
*Thérèse (Miller) 49
|
|
|
|
*Enzo Avitabile Music Life (Demme) 49
|
|
|
|
|
Blind Detective (To) 49
|
|
|
Monsters University (Scanlon) 48
|
|
|
Post tenebras lux (Reygadas) 48
|
|
|
|
|
|
°The Wind Rises (Miyazaki) 48
|
|
|
|
Grigris (Haroun) 48
|
|
|
|
Story of My Death (Serra) 48
|
|
|
*Paradise: Faith (Seidl) 48
|
|
|
Simon Killer (Campos) 47
|
|
|
|
|
*Paradise (Cody) 47
|
|
|
|
*Blackfish (Cowperthwaite) 47
|
|
|
|
Runner Runner (Furman) 47
|
|
|
|
*Some Girl(s) (Von Scherler Mayer) 47
|
|
|
Paradise: Love (Seidl) 47
|
|
|
|
|
*Devil's Pass (Harlin) 46
|
|
|
|
Viola (Piñeiro) 46
|
|
|
|
*All Is Bright (Morrison) 46
|
|
|
|
The Wall (Pölsler) 46
|
|
|
|
Spring Breakers (Korine) 46
|
|
|
C/C+: On the Fence, Leaning Backward
|
|
|
|
Omar (Abu-Assad) 45
|
|
|
*Escape From Tomorrow (Moore) 45
|
|
|
|
*Our Children (Lafosse) 45
|
|
|
|
*Call Me Kuchu (Fairfax Wright, Zouhali-Worrall) 45
|
|
|
|
The Fifth Estate (Condon) 45
|
|
|
|
*Inch'Allah (Barbeau-Lavalette) 45
|
|
|
Caesar Must Die (Tavianis) 45
|
|
|
|
Ginger and Rosa (Potter) 44
|
|
|
|
Like Someone in Love (Kiarostami) 44
|
|
|
|
|
*The Lifeguard (Garcia) 44
|
|
|
Outside Satan (Dumont) 44
|
|
|
|
|
|
Heli (Escalante) 44
|
|
|
The Lords of Salem (Zombie) 44
|
|
|
|
|
Real (Kurosawa) 44
|
|
|
|
°The Invisible Woman (Fiennes) 43
|
|
|
*Side Effects (Soderbergh) 43
|
|
|
|
*Scenic Route (Goetzes) 43
|
|
|
|
*Last Love (Nettelbeck) 43
|
|
|
|
|
Tom at the Farm (Dolan) 43
|
|
|
The Kings of Summer (Vogt-Roberts) 43
|
|
|
|
*Renoir (Bourdos) 43
|
|
|
C: Pass
|
|
|
|
°Like Father, Like Son (Kore-eda) 42
|
|
|
*All the Boys Love Mandy Lane (Levine) 42
|
|
|
|
Emperor (Webber) 42
|
|
|
|
*The Condemned (Busó García) 42
|
|
|
|
*Elysium (Blomkamp) 42
|
|
|
|
*Admission (Weitz) 41
|
|
|
|
*The Look of Love (Winterbottom) 41
|
|
|
Fill the Void (Burshtein) 41
|
|
|
|
|
*The Attack (Doueiri) 41
|
|
|
°Mekong Hotel (Weerasethakul) 41
|
|
|
|
|
Fruitvale Station (Coogler) 40
|
|
|
|
*Mama (Muschietti) 40
|
|
|
|
*You Will Be My Son (Legrand) 40
|
|
|
The ABCs of Death ([Various]) 40
|
|
|
|
|
|
Southcliffe (Durkin) 39
|
|
The Great Gatsby (Luhrmann) 39
|
|
|
|
The Taste of Money (Im) 39
|
|
|
|
|
*Afternoon Delight (Soloway) 38
|
|
|
|
°A Girl & a Gun (Czubek) 38
|
|
|
°Passion (De Palma) 38
|
|
|
|
|
*In the Name Of (Szumowska) 37
|
|
|
|
*Jobs (Stern) 37
|
|
|
|
*State 194 (Setton) 37
|
|
|
C-: Ugh
|
|
|
*Adore (Fontaine) 36
|
|
|
|
*33 Postcards (Chan) 36
|
|
|
|
*Big Sur (Polish) 35
|
|
|
|
|
Jimmy P.: Psychotherapy of a Plains Indian
(Desplechin) 35
|
|
|
*Everybody Has a Plan (Piterbarg) 35
|
|
|
|
*CBGB (Miller) 34
|
|
|
|
White House Down (Emmerich) 34
|
|
|
|
|
Norte, the End of History (Diaz) 32
|
|
|
*The Bling Ring (Coppola) 32
|
|
|
|
*And Now a Word From Our Sponsor (Bernbaum) 31
|
|
|
|
Salinger (Salerno) 30
|
|
|
|
*The Hot Flashes (Seidelman) 30
|
|
|
|
|
Child of God (Franco) 29
|
|
|
*The Secret Lives of Dorks (Breziner) 28
|
|
|
|
*Breaking the Girls (Babbit) 28
|
|
|
D+: Double-Ugh
|
|
|
*The Patience Stone (Rahimi) 27
|
|
|
|
The Sapphires (Blair) 27
|
|
|
|
*Stuck in Love. (Boone) 26
|
|
|
|
*Underdogs (Dearth) 26
|
|
|
|
I'm So Excited! (Almodóvar) 25
|
|
|
|
*Breakup at a Wedding (Quinaz) 25
|
|
|
|
*Ass Backwards (Nelson) 24
|
|
|
|
|
A Castle in Italy (Bruni Tedeschi) 24
|
|
|
*Forgetting the Girl (Taylor) 23
|
|
|
|
At Any Price (Bahrani) 22
|
|
|
|
*Stranded (Christian) 21
|
|
|
|
|
Tomorrow You're Gone (Jacobson) 20
|
|
|
|
°The Act of Killing (Oppenheimer, Cynn, [Anonymous])
|
|
|
|
|
*Ain't Them Bodies Saints (Lowery)
|
|
|
Antiviral (Cronenberg)
|
|
|
|
|
*As I Lay Dying (Franco)
|
|
|
|
|
Bends (Lau)
|
|
|
Blancanieves (Berger)
|
|
|
|
|
Cristo Rey (Tonos Paniagua)
|
|
|
|
Crulic: The Path to Beyond (Damian)
|
|
Gimme the Loot (Leon)
|
|
|
|
|
Graceland (Morales)
|
|
|
|
|
Grand Central (Zlotowski)
|
|
°A Hijacking (Lindholm)
|
|
|
|
|
|
The Immoral (Krutzkoff Jacobsen)
|
|
|
|
Norte, the End of History (Diaz)
|
|
|
*Prisoners (Villeneuve)
|
|
|
|
|
Rising (Gebbe)
|
|
|
|
Sarah Prefers to Run (Robichaud)
|
|
|
|
Soul (Chung)
|
|
|
|
Stop-Over (Bakhtiari)
|
|
|
|
Stop the Pounding Heart (Minervini)
|
|
|
|
A Story About Children and Film (Cousins)
|
|
|
|
Trap Street (Qu)
|
|
|
|
Twilight Portrait (Nikonova)
|
|
|
War Witch (Nguyen)
|
|
|
|
|
We Gotta Get out of This Place (Hawkinses)
|
|
|
*Wrong (Dupieux)
|
|
|
|
|
Zulu (Salle)
|