GROUP SHOW PROGRAMS including work by Experimental Filmmaker, Rohesia Hamilton Metcalfe

GROUP SHOW PROGRAMS
including works by
Experimental Filmmaker and Video Artist
Rohesia Hamilton Metcalfe


A partial list of group shows in which experimental films or videos by Rohesia Hamilton Metcalfe have been included.


In the ELUSIVE QUALITY program, July 19, 2004 - February 9, 2005 screenings at Participant, New York, FACT, Liverpool, The Hardwore Store, Philadelphia, and in Bristol, UK.
EVERYONE MUST TIGHTEN THEIR BELTS was programmed with:
DEMOLITION DERBY by Lynne Chan
TOUCH CINEMA by Valie Export
UNIVERSAL GAMES by Mariam Ghani
I WANT TO HAVE YOUR BABY by Caroline Koebel
INSIDE THE PAVILION OF VIRGINIA PUFF-PAINT by Jeremy Laing and Will Munro
FORTUNATE LIVING TRILOGY PART I: SOCCER by Math Bass and James Tsang of Marriage
PYT by Tara Mateik
REJECTED OR UNUSED CLIPS ARRANGED IN ORDER OF IMPORTANCE by Seth Price
THE CLAW by Chadwick Rantanen
THE MOST REAL DEATH 2000 by Thorvaldur Thorsteinsson
MUD WRESTLE IN THE EARTH ROOM by toyshop

At the MATERNAL METAPHORS show at Rochester Contemporary, April 30 - May 23, 2004
HOW STRONG THE CHILDREN was exhibited with:
TOOTH FOR A TOOTH by Monica Bock
ON THE TABLE, MOMMY MOMMY & digital prints by Myrel Chernick
YO MAMA AT HOME & YO MAMA THE SEQUEL by Renee Cox
FAMILY PORTRAIT & SELF PORTRAIT WATCHING THE SOAPS by Judy Gelles
4 UNTITLED paintings by Judy Glantzman
PRIMAPARA by Mary Kelly
SUCKLED II, LOVE OBJECTS & ALICE’S IDEA by Ellen McMahon
GROUP SHOT, FAMILY SHIELD, JACKSON - AGE 15 & BABY by Gail Rebhan
WHO AM I, WHAT AM I, WHERE AM I? by Aura Rosenberg
37 STORIES ABOUT LEAVING HOME by Shelly Silver
REGENERATION by Beth Warshafsky
TOOTH FOR A TOOTH by Sarah Webb
THE GRAND THAUMATURGE, THE ARTIFICER’S TWIN & BLUSHING YAKSA by Marion Wilson

At the DEATH & TAXES show at the Dorsch Gallery, Miami, FL, April 15, 2004
IF SPRING, THEN HOPE, AND ALSO WINTER was programmed with:
NECROPOLIS by Timothy Inners
NOT TOO MUCH REMEMBER by Tony Gault
AN ENEMY ANENOME FOR YOU AND ME by Kaveh Askari
OTTO VON GOREN by J. Raymond
THE REVOLUTION OF SUPER 8 UNIVERSE - A SELF PORTRAIT by Rey Parla

At A’s Wave at REMOTE, NYC, March 2002
IF SPRING, THEN HOPE, AND ALSO WINTER was programmed with:
ROAD RANT: A WEEK WITH LYDIA LUNCH by Merrill Aldighieri
PRAYER by Lily Binder
TRAIN OF LOVE by Greg Boyer
READS by Michael Carter
TRILEMMA by Ye Won Cho
A LIVE WIRE by Peter Cramer/Jack Waters
FILM by Roberta Friedman
Coco Go - sings a poem
P. Michael Keane
COMMON ROOT PRAYER by Phoebe Legere
“Lewis and Lewis”
INSCAPE by Lorin Roser
IT’S A LIVE LASER by Arleen Schloss
ANIMATION by Steve Speer
WATER PIECES #2 by Penny Ward
SONIC MEDITAITON by Zev

At the The Hundredth Turn screening at the Arts Interlude Video Wall Program (Rockefeller Center, NYC December 1999 through February 2000),
LA BLANCHISSEUSE was programmed with:
YEAR ZERO ZERO (7:00) by Peter D’Agostino
TWO WRENCHING DEPARTURES (10:00) by Ken Jacobs
CHECKERS (2:25) by Caterina Borelli
PAN, ZOOM and DESERT (3:00 - 5:00) by Tirtza Even
MOVING WITH NO PATTERN (7:00) by Joan Jonas
AMBER CITY (48:00) by Jem Cohen
TO SORROW (5:00) by Kit Fitzgerald
BLACK DOG DREAMS (6:21) by Matthew Schlanger
EXCERPT (3:00) by Laurie Halsey Brown
SHOOT THE PLAYER PIANO (6:00) by Annie Gosfield

At the Black Maria Festival screening at Newark Museum, January, 1998,
EVERYONE MUST TIGHTEN THEIR BELTS was screened with:
THE CLOCKMASTER (5:00) by David Ford
MISSISSIPPI: POWER OF PLACE (26:30) by Rosemary Moritz and Ian Neeson
STILL REVOLUTIONARIES (16:00) by Sienna McLean
SEA SLUGS (1:30) by Adam Lane
DREAM QUILT (4:30) by John Serpentelli
LONELY PLANET (12:00) by Robert Fenz
THE FILM OF HER (12:00) by Bill Morrison

At the 55 Mercer Gallery, NYC, September, 1997,
QUEEN OF THE MIST was programmed with:
TWO MEN (3:00) by Dave Gearey
WEIMAR (8:00) by Joel Schlemowitz
BROKEN ANGEL (11:00) by Margot Niederland
CONEY ISLAND MERMAID (10:00) by Karen Kramer

At the Three Women’s Films show at 911 Media Center in Seattle, January 1997
QUEEN OF THE MIST was programmed with:
THE FEMALE OFFENDER and ISLAND OF SYMMETRY by Mary Ann Toman
OBSESSIONS by Kimberley Shane O’Hara

At the Celebration of 25 Years of the Experimental Television Center
at Art in General, November, 1996
LA BLANCHISSEUSE was programmed with works by:
Nam June Paik
Shigeko Kubota
Peer Bode
Matthew Schlanger
Alan Powell and Connie Coleman
Sara Hornbacher
Shalom Gorewitz
Barbara Buckner
Darrin Martin
Barbara Hammer
Doris Chase
Robert Flemming
Richard Kostelanetz
Nancy Buchanan
Merril Aldighieri and Joe Tripican
Peter Rose
Peter D’Agostino
Dan Reeves
Bruno Pataro

At the American Film Institute National Video Festival, October, 1996
QUEEN OF THE MIST was programmed with:
DEAR CARRY (50:00) by Joel Katz

At the Arts Festival of Atlanta, September, 1996
LA BLANCHISSEUSE was included with:
ABUELA (12:20) by Janet Grau
ONLY 13 MINUTES LEFT (15:00) by Doug Henry
BRIDGEPORT: THE CITY AT THE END OF MY WORLD (20:00) by Bryan Konefsky
THE GODS OF BEAUTY (29:18) by Niels Nielsen
OBSESSIVE BECOMING (54:24) by Dan Reeves
PATAGONIA (28:30) by Luis Valdovino and Dan Boord
NOTES TO SELF (16:28) by Jeff Walker
LONG INTO THE NIGHT, HEAVENLY ELECTRICAL MUSIC FLOWED OUT OF THE STREET (6:56) by Reynold Weidenaar

At the Knitting Factory, August, 1996
QUEEN OF THE MIST was programmed with:
SOUTH OF THE BORDER by Lisa Napoli

On Unquote Television, August, 1996
LA BLANCHISSEUSE was programmed with:
DISTANT RELATIONS by Greg Durbin
POST FILM by Michael Betancourt
and
KEEP MOVING was programmed with:
HARD HEARTED ONE by Elisabeth Doyle and Deborah Rudman
CASUAL WORKERS, HALLUCINATIONS & APPROPRIATE GHOSTS by Toni Dove

In the Stories of Women show at the Dallas Video Festival, January, 1996
LA BLANCHISSEUSE was programmed with:
THE GIFT (12:00) by Greater Tuna
MEMORY OF THE WOMAN CHILD (5:35) by Jennifer Lytton
STORIES FROM THE RIVERSIDE (28:00) by Susanne Mason
UNDERGROUND (12:00) by Suzanne Lacy

In the Black Maria Film and Video Festival, 1995
LA BLANCHISSEUSE was programmed with:
TOM’S FLESH (9:00) by Jane C. Wagner and Tom di Maria
PASSAGE A L’ACT (12:00) by Martin Arnold
GO TO HELL (7:30) by Ruth Peyser
I’LL WALK WITH GOD (8:00) by Scott Stark
AUTUMN LEAVES (6:00) by Donna Cameron
LE POISSON D’AMOUR (10:00) by Paula Gauthier
THE DEVIL’S BOOK (5:00) by Steven Subotnick.

On the New York Independents program, WNYC-TV Celebrates Women’s History Month, March, 1995
LA BLANCHISSEUSE was programmed with:
WOMAN AS PROTAGONIST, THE ART OF NANCY SPERO (45:00) by Irene Sosa

At the Locarno VideoArt Festival, September, 1994
LA BLANCHISSEUSE was programmed with:
THE FLIES ARE LOOKING FOR A SILENT PLACE (6:00) by Yegya A. Yach and C. Hunold
LAGRIMAS MAGNETICAS (6:30) by Gerardo Silva
PICKSEL (6:00) by Ivar Smedstad
MIGRA (8:00) by Toni Serra
SCAFOLD (11:00) by Dainis Klava
NOS JOURS SONT COMPTES (12:30) by Olivier Lannaud
EXONS (6:13) by Xavier Moeher
ORPHICS: SONATINE (5:00) by Edward Zajec

At the Three Rivers Arts Festival (Pennsylvania) in 1994
LA BLANCHISSEUSE was included with:
HE TAKERE WAKA NUI (11:00) by Edda Akkerman
CUBA: BETWEEN A BLOCKADE AND A HARD PLACE (20:00) and SECRET CITIES (6:00) by Jon Alpert
THE RIVER RAN RED (58:00) by Nicole Fauteux and Steffi Domike
TOMBOYCHIK (15:00) by Sandi Lon DuBowski
THE LAST TOURIST (6:00) by Shalom Gorewitz
UNDER THE WATCHFUL EYE (58:00) by David A. Greene
DOORWAYS: OPENINGS AND CLOSINGS (4:31) by Nelson K. Harper
5 SHORTS (3:05) by Billy A. Kent
MOSCOW X (57:00) by Ken Kobland
CHAIN OF HOPE (25:00) by Leonard Anthony Lies
ELECTRONIC ACTION (16:00) by Lisa Beth Link
INJUSTICE FOR ALL (55:00) by Joseph Oxman
RED, WHITE AND BLUE (6:24) by Connie Coleman and Alan Powell
KINGS ON THE HILLS: BASEBALL’S FORGOTTEN MEN (57:00) by Rob L. Ruck
BEGINNING, MIDDLE AND END (1:32) by Gerald Scott Van Scyoc
SPANGLISH (15:00) by Andres Tapia-Urzua
BREATHLESS (29:00) by Paper Tiger Television

At the D(SHE)TV show at Downtown Community Television Center, 1994
LA BLANCHISSEUSE was programmed with:
K.O.K. BOXING REFLECTIONS by Lina Bertucci
MALE MATING CALLS OF MANHATTAN by Kristine Dieckman
DON’T CRY WHEN YOU LOOK AT HER by Staci Simpson
EDGES by Ayanna Udongo
HAIR by Maria Venuto
TREMBLOR by Silvina Szperling

At the American Film Institute National Video Festival, February, 1994
LA BLANCHISSEUSE was programmed with:
MONDAYS (3:00) by Judith Redding
HANDMIRROR/BRUSH SET INCLUDED (33:00) by Liz Canning
CUT PIECE (16:00) by Lynn Hershman
WHOSE HOME (23:00) by Ellen Kaplan

In the Recent Videos From New York program that toured New Zealand in 1993-94
VENEO VIDEO VICEO was programmed with:
ISLAND OF SYMMETRY (9:00) by Mary Ann Toman
A FEW MORE MAGIC WORDS (20:00) by Peer Bode
THE SILENCE THAT ALLOWS (35:00) by Pamela Jennings
THE HOUSES THAT ARE LEFT (51:00) by Shelly Silver

At the Helical Scans: Diverse Ways of Seeing show at the EXPERIMENTA Media Arts Festival (Australia) in 1992
VENEO VIDEO VICEO was programmed with:
SOMEWHERE HERE (6:00) by Andrew Frost
JANE PAULEY TREATMENT (4:00) by Greg Ferris and Andrew Muldoon

At the Media Alliance Conference at New York University in 1991
VENEO VIDEO VICEO was programmed with:
ACCESS DENIED (28:00) by Reprovision
BETTER (1:31) by Benton Bainbridge
CONTACT (6:45) and WATER (3:20) by 77 Hz
COLOR SCHEMES (28:00) by Shu Lea Cheang
DEFINING LIFE (27:00) by Bev Peterson and Mike Harlow
ROADSIDE HUSTLE ( 28:00) by Mark Belair
THE SEVEN STEPS TO SAINTHOOD (2:40) by Andrew Koontz
SHARED GROUND (20:00) by Arnie Evans and Carol Saft
THE SILENCE THAT ALLOWS (35:00) by Pamela Jennings
SIDE TRACKS (29:00) by Kyle Boyd

In 1987 the Parabola Arts Foundation’s Current Avant Garde Films collection
included AFTER THE PAINT HAS DRIED with:
HOLIDAY MAGIC & 4 FILMS (26:15) by Heather McAdams
CINDERELLA (24:00) by Ericka Beckman
SEX WITHOUT GLASSES (12:30) by Ross Mclaren
COALFIELDS (39:00) by Bill Brand
WHO DO YOU THINK YOU ARE ( 11:00) by Mary Filippo
SOFT SHOE (21:00) by Holly Fisher
THE FAMILY ALBUM (60:00) by Alan Berliner
FLUKE (7:00) by Emily Breer
HE STANDS IN A DESERT COUNTING THE SECONDS OF HIS LIFE (150:00) by Jonas Mekas
THE PERSISTENCE OF MEMORY (17:00) by Ricardo Block
THE CHINESE TYPEWRITER (27:45) by Daniel Barnett

In the Short Takes program in the 1986 season of WNET/Thirteen’s series, Independent Focus
KEEP MOVING
was programmed with:
EN TRANCE by Eric Hirsch
HOW THE FROG’S EYE SEES by Skip Battaglia
INSIDE THE HOUSE OF FLOATING PAPER by Pooh Kaye
THE RUG by Maureen Selwood
TRAVELLING LIGHT by Jane Aaron
TRIANGLE BELOW CANAL by Harry Killas
YOU by Paul Tassie

At the Millennium, New York, in March, 1986
AFTER THE PAINT HAS DRIED was programmed with:
TO WAKE THE DEAD (3:00) by Howard Better
THE NOISE OF THE STREET PENETRATES THE HOUSE (9:00) by Joyce Carty
FALL IN A FAINT (6:00) by Sokhi Wagner
WAVE (7:00) by Mike Quinlan
AFTERMATH (21:00) by Barbara Chang

In the Three Rivers Art Festival (Pennsylvania), 1986
KEEP MOVING was programmed with:
COMIC STRIP (4:00) by Steven Dovas
FLUKE (7:00) by Emily Breer
THE TOWER (11:00) by Emily and Georgia Hubley
HANDING THE BATON (10:00) by Judi Fogelman
OBJECT CONVERSATION (3:00) by Paul Glabicki
CHUCK’S WILL’S WIDOW (10:00) by Bill Brand
S1 (13:00) by Christoph Janetzko
ECLIPSED: STILL LIFE #4 (15:00) by Robert Rayher.

At the Millennium, New York in June, 1985
KEEP MOVING was programmed with:
HANDING THE BATON (2:30), THE LEAF DANCE (2:30), and
DESIGN AND DISCOVERY (4:30) by Judi Fogelman
ONEIRA (18:00) by Joel Katz
A.R.T. (12:00) by Gitta Gsell
PEGGY AND FRED IN HELL (20:00) by Leslie Thornton

In the Tampere Film Festival, Jan-Feb., 1985
KEEP MOVING was included with:
DISCS (3:00) by Dirk de Bruyn
MOTHERS (12:00) by Sabine Wynn
THE DANGEROUS RAILS (14:00) by Jaco Van Dormael
BETWEEN JOBS (14:00) by John Collier Bennet
THE CAR OF YOUR DREAMS (18:00) by Bob Rogers and Marshall Harvey
DOCTOR DE SOTO (10:00) by Michael Sporn
WHY MOSQUITOS BUZZ IN PEOPLE’S EARS (10:00) by Gene Deitch

In the Black Maria Festival, 1985
KEEP MOVING was programmed with:
POLTICAL POSTURE (3:00) by William Tunnicliffe
SATELLITE STORIES I: DOWN AND OUT ON THE BOWERY (6:00) by Steve Goodman
BOOMTOWN (6:00) by Bill Plympton
MY NEIGHBORHOOD (27:00) by Mitchell Kriegman
NICARAGUA 1983 (40:00) by Jon Alpert
STOPPING HISTORY (58:00) by Peter Adair