January 29, 1997

I've got the developed negative of the E-mail reshoot back from Technicolor, but Robin has no time to edit with me for the foreseeable future. Nothing to do but wait. One of the things that makes low-budget filmmaking so frustrating is having to hit the brakes over and over again when the filmmaking process has put one in a hyperactive, driven mood. All that money that the film industry throws around serves a purpose after all: you need it to make the rest of the world as frantic as you are.

I'm still talking to film labs once in a while, looking for a place to make prints. I hope to visit a lab in Long Island this weekend.

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