{"id":193998,"date":"2008-11-01T19:07:00","date_gmt":"2008-11-02T00:07:00","guid":{"rendered":"https:\/\/www.panix.com\/~msaroff\/40years\/2008\/11\/01\/live-and-learn-the-insane-makes-sense-in-rock-and-roll\/"},"modified":"2008-11-01T19:07:00","modified_gmt":"2008-11-02T00:07:00","slug":"live-and-learn-the-insane-makes-sense-in-rock-and-roll","status":"publish","type":"post","link":"https:\/\/www.panix.com\/~msaroff\/40years\/2008\/11\/01\/live-and-learn-the-insane-makes-sense-in-rock-and-roll\/","title":{"rendered":"Live and Learn: The Insane Makes Sense In Rock and Roll"},"content":{"rendered":"<p>We live in a strange world when the bizarre demands and moods of Rock and Roll musicians make sense.<\/p>\n<p>In the first case, it&#8217;s the musician Prince, who for a while simply went by that symbol, and was referred to as, &#8220;The artist formerly known as Prince.&#8221;<\/p>\n<p>What we all discovered when he dropped the affect, and went back to being &#8220;Prince&#8221;, was that this was one of the ways that he was attempting to wrest back control of his career from Warner-Chappell, and once the contract expired, he <a href=\"http:\/\/en.wikipedia.org\/wiki\/Prince_%28musician%29#2000.E2.80.932005\">went back to using his name<\/a>.<\/p>\n<p>Then we have the case of Van Halen, who <a href=\"http:\/\/www.snopes.com\/music\/artists\/vanhalen.asp\">as confirmed by Snopes<\/a>, required in their, &#8220;standard performance contract,&#8221; that they be, &#8220;provided with a bowl of M&amp;Ms, but with <span style=\"font-weight: bold;\">all the brown candies removed<\/span>.&#8221;<\/p>\n<p>Again, when one looks at what Paul Harvey would call, &#8220;The rest of the story,&#8221; it&#8217;s a lot more than just a bunch of self indulgent rockers, as related by David Lee Roth in his autobiography:<\/p>\n<blockquote style=\"color: rgb(0, 0, 153);\"><p>Van Halen was the first band to take huge productions into tertiary, third-level markets. We&#8217;d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors \u2014 whether it was the girders couldn&#8217;t support the weight, or the flooring would sink in, or the doors weren&#8217;t big enough to move the gear through.<\/p>\n<p>The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function. So just as a little test, in the technical aspect of the rider, it would say &#8220;Article 148: There will be fifteen amperage voltage sockets at twenty-foot spaces, evenly, providing nineteen amperes . . .&#8221; This kind of thing. And article number 126, in the middle of nowhere, was: &#8220;There will be no brown M&amp;M&#8217;s in the backstage area, upon pain of forfeiture of the show, with full compensation.&#8221;<\/p>\n<p>So, when I would walk backstage, if I saw a brown M&amp;M in that bowl . . . well, line-check the entire production. Guaranteed you&#8217;re going to arrive at a technical error. They didn&#8217;t read the contract. Guaranteed you&#8217;d run into a problem. Sometimes it would threaten to just destroy the whole show. Something like, literally, <span style=\"font-weight: bold;\">life-threatening<\/span>. <\/p><\/blockquote>\n<p>(<span style=\"font-style: italic;\">emphasis mine<\/span>)<\/p>\n<p>So they had this provision to see if the proprietors of the arena actually <span style=\"font-weight: bold;\">read their contracts<\/span>, because if they did not, there was a very real chance that things would go seriously wrong, and someone could get hurt or killed.<\/p>\n<p>Live and learn.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We live in a strange world when the bizarre demands and moods of Rock and Roll musicians make sense. In the first case, it&#8217;s the musician Prince, who for a while simply went by that symbol, and was referred to as, &#8220;The artist formerly known as Prince.&#8221; What we all discovered when he dropped the &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1005,1137],"tags":[],"class_list":["post-193998","post","type-post","status-publish","format-standard","hentry","category-business","category-music"],"_links":{"self":[{"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/posts\/193998"}],"collection":[{"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/comments?post=193998"}],"version-history":[{"count":0,"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/posts\/193998\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/media?parent=193998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/categories?post=193998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.panix.com\/~msaroff\/40years\/wp-json\/wp\/v2\/tags?post=193998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}