1998 Top Ten List
Buffalo '66 (Vincent Gallo)
Rushmore (Wes Anderson)
The Hole (Tsai Ming-liang)
The Celebration (Thomas Vinterberg)
Out of Sight (Steven Soderbergh)
The Last Days of Disco (Whit Stillman)
A Tale of Autumn (Eric Rohmer)
Praise (John Curran)
My Name Is Joe (Ken Loach)
Show Me Love (Lukas Moodysson)
Additional 1998 Films By Rating
Saving Private Ryan (Steven Spielberg)
π (Darren Aronofsky)
John Carpenter's Vampires (John Carpenter)
Run Lola Run (Tom Tykwer)
I Stand Alone (Gaspar Noé)
The Book of Life (Hal Hartley)
The Newton Boys (Richard Linklater)
Late August, Early September (Olivier Assayas)
The Big Lebowski (Joel Coen)
The Truman Show (Peter Weir)
Ronin (John Frankenheimer)
The Thin Red Line (Terrence Malick)
After Life (Hirokazu Kore-eda)
Dr. Akagi (Shohei Imamura)
Rounders (John Dahl)
A Simple Plan (Sam Raimi)
The General (John Boorman)
Another Day in Paradise (Larry Clark)
Birdcage Inn (Kim Ki-duk)
The Decline of Western Civilization Part III (Penelope Spheeris)
Beloved (Jonathan Demme)
Zero Effect (Jake Kasdan)
Shakespeare in Love (John Madden)
Besieged (Bernardo Bertolucci)
Following (Christopher Nolan)
A Bug's Life (John Lasseter)
Babe: Pig in the City (George Miller)
Forty Two Up (Michael Apted)
The Dreamlife of Angels (Erick Zonca)
Enemy of the State (Tony Scott)
He Got Game (Spike Lee)
Fear and Loathing in Las Vegas (Terry Gilliam)
Lost in Space (Stephen Hopkins)
Bulworth (Warren Beatty)
Happiness (Todd Solondz)
The Big Hit (Che-Kirk Wong)
Central Station (Walter Salles)
The X-Files (Rob Bowman)
Pleasantville (Gary Ross)
The Flowers of Shanghai (Hou Hsiao-hsien)
The Power of Kangwon Province (Hong Sang-soo)
Velvet Goldmine (Todd Haynes)
Dark City (Alex Proyas)
Wild Things (John McNaughton)
Rush Hour (Brett Ratner)
The Faculty (Robert Rodriguez)
Ringu (Hideo Nakata)
Love Is the Devil: Study for a Portrait of Francis Bacon (John Maybury)
Smoke Signals (Chris Eyre)
Dirty Work (Bob Saget)
The Idiots (Lars von Trier)
Armageddon (Michael Bay)
Dangerous Beauty (Marshall Herskovitz)
Little Voice (Mark Herman)
New Rose Hotel (Abel Ferrara)
Andromedia (Takashi Miike)
Shark Skin Man and Peach Hip Girl (Katsuhito Ishii)
Mercury Rising (Harold Becker)
What Dreams May Come (Vincent Ward)

if I
currently think they belong in my top ten. These films are subject to
being shifted around or yanked altogether at any moment, after I revisit
them and they get a numeral.