1990 Top Ten List
Miami Blues (George Armitage)
Metropolitan (Whit Stillman)
Miller's Crossing (Joel Coen)
Truly, Madly, Deeply (Anthony Minghella)
Slacker (Richard Linklater)
The Nasty Girl (Michael Verhoeven)
Joe Versus the Volcano (John Patrick Shanley)
Trust (Hal Hartley)
GoodFellas (Martin Scorsese)
Bullet in the Head (John Woo)
Additional 1990 Films By Rating
Days of Being Wild (Wong Kar-wai)
Life Is Sweet (Mike Leigh)
After Dark, My Sweet (James Foley)
The Hunt for Red October (John McTiernan)
Edward Scissorhands (Tim Burton)
Tremors (Ron Underwood)
A Shock to the System (Jan Egleson)
Sink or Swim (Su Friedrich)
Postcards From the Edge (Mike Nichols)
Reversal of Fortune (Barbet Schroeder)
The Freshman (Andrew Bergman)
Close-Up (Abbas Kiarostami)
American Dream (Barbara Kopple)
An Angel at My Table (Jane Campion)
King of New York (Abel Ferrara)
Q & A (Sidney Lumet)
Mister Johnson (Bruce Beresford)
Nikita (Luc Besson)
The Disenchanted (Benoît Jacquot)
I Hired a Contract Killer (Aki Kaurismäki)
Darkman (Sam Raimi)
Gremlins 2: The New Batch (Joe Dante)
To Sleep With Anger (Charles Burnett)
Pump Up the Volume (Allan Moyle)
Jacob's Ladder (Adrian Lyne)
Ghost (Jerry Zucker)
Die Hard 2 (Renny Harlin)
Eating (Henry Jaglom)
Industrial Symphony No. 1: the dream of the brokenhearted (David Lynch)
The Godfather, Part III (Francis Ford Coppola)
Total Recall (Paul Verhoeven)
¡Ay, Carmela! (Carlos Saura)
Hardware (Richard Stanley)
Texasville (Peter Bogdanovich)
By Nightfall (Francesca Archibugi)
Wild at Heart (David Lynch)
Kindergarten Cop (Ivan Reitman)
Akira Kurosawa's Dreams (Akira Kurosawa)
The Two Jakes (Jack Nicholson)
Betsy's Wedding (Alan Alda)
Pretty Woman (Garry Marshall)
Home Alone (Chris Columbus)
Predator 2 (Stephen Hopkins)
Revenge (Tony Scott)
Echoes From a Sombre Empire (Werner Herzog)
Come See the Paradise (Alan Parker)
Flatliners (Joel Schumacher)
The Hairdresser's Husband (Patrice Leconte)
Privilege (Yvonne Rainer)
Stephen King's Graveyard Shift (Ralph S. Singleton)
Men at Work (Emilio Estevez)
Marked for Death (Dwight H. Little)
Nouvelle Vague (Jean-Luc Godard)

if I
currently think they belong in my top ten. These films are subject to
being shifted around or yanked altogether at any moment, after I revisit
them and they get a numeral. (Lists from prior to about 1988 are
especially suspect, as I compiled them long ago from memories that were
in many cases already pretty dusty.)