Category: Copyright

Supreme Court Sides With Google on API Copyright

It should also be noted that the Supreme Court also slapped down the United States Court of Appeals for the Federal Circuit (CAFC, AKA, the “Patent Court”) once again.

This time, the Patent Court big-footed the normal appellate process, it does not normally handle copyright claims, and made an egregiously bad decision, which it pretty much always does, to boot.

Once the Supreme Court noticed, it was over but for the fat lady singing.

The purpose of patents is two fold:  To encourage innovation, and to make the information contained in patents available to the public.

The patent troll friendly CAFC is doing exactly the opposite.

This time the Supreme Court ruled that using the application programming interface (API) is fair use.

An API is a series of rules which describe how a computer program is programmed, or how it interfaces with hardware, and for program compatibility, programs running on the same hardware, or the same operating system, or on a similar language.

It’s not a creative expression (copyright) but a functional description of the system, like the manual for a toaster.  The specific words in the manual are covered by copyright, but the idea that you slide a lever from left to right to set the doneness of your toast is not.

For example, we can look at a “Hello World” program in Java, where Oracle was asserting infringement: (This is also an example of why I don’t want to program in Java, it’s way to obscure and verbose)

import javax.swing.JFrame;  //Importing class JFrame
import javax.swing.JLabel; //Importing class JLabel
public class HelloWorld {
public static void main(String[] args) {
JFrame frame = new JFrame(); //Creating frame
frame.setTitle("Hi!"); //Setting title frame
frame.add(new JLabel("Hello, world!"));//Adding text to frame
frame.pack(); //Setting size to smallest
frame.setLocationRelativeTo(null); //Centering frame
frame.setVisible(true); //Showing frame
}
}

If you want to create an application, or an operating system, which is what Google did, and allow for Java programmers to work in this without learning a completely new way of doing the same thing, then you have to use the same code words, things like “Jlabel”, “Jframe”, “setTitle”, etc. 

That’s what Google did, and what the makers of IBM clones did in the 1980s, and what third party spare parts manufacturers do when they make cheaper parts for your (increasingly computerized) car.

The Supreme Court said that it’s fair use, which is nice, but not as nice as if they had said that it was not subject to copyright:

It’s taken over a decade, but the Supreme Court has finally said that Google’s copying of the Sun Java API for Android was clearly fair use in a 6-2 ruling (Barrett did not take part since she was not on the Court when the case was heard). The background of this case is actually kind of important to understanding what just happened, so here’s a quick(ish) recap.

As you’ll probably know, this case began in 2010 when Oracle, which had just taken over Sun, sued Google for patent infringement. The patent parts were quickly tossed out and what remained was what referred to as a “sideshow” to the main event: a question about whether APIs could be covered by copyright. Pretty much all historical evidence, including an important Supreme Court ruling from the 1990s, said no, interfaces are not covered by copyright.

Oracle and friends then spent the next decade deliberately gaslighting basically everyone who doesn’t understand what an API is, and insisting that it’s the same as executable code. The district court, under Judge William Alsup, who somewhat famously taught himself Java to better understand the issues in the case (he already knew how to code and was a hobbyist programmer), correctly found that APIs are not subject to copyright as they represent a “system or method of operation” which is explicitly not covered by copyright, as per Section 102(b) of the Copyright Act.

Rather than go to the 9th Circuit (as it should have) the case went to the Federal Circuit, which hears all patent appeals. That was because the case began as a patent case, even though it no longer was. CAFC judges are somewhat infamous for never finding a patent issue they couldn’t screw up, and decided to extend that to copyright. In the ruling overturning the lower court, they made it clear that because they were code illiterate they could not understand the difference between executing code and an API, even though it’s like the difference between a novel and a dictionary.

The CAFC bigfooted the case, which is not surprising.  They also do things like change determinations of fact by the lower courts, something that is not supposed to be done by appellate courts, which are only supposed to adjudicate matters of law.

The case went back to the district court, where the jury this time sided with Google, this time saying that the use of the code was covered under fair use. That whole trial was a little weird, because reading between the lines, you could see that nearly all the arguments for why copying an API was fair use were really about why an API shouldn’t be covered by copyright at all (as per Alsup’s original ruling) and then squeezing that square peg into the round hole of fair use to make it work. Once again, however, CAFC got flummoxed by an API looking like code and overturned — which is quite crazy because CAFC had, in its first ruling, insisted that the jury should decide this issue (as a matter of fact) and then when the jury said “fair use” CAFC suddenly decided that it was a matter of law that it could overrule.

It’s taken over a decade, but the Supreme Court has finally said that Google’s copying of the Sun Java API for Android was clearly fair use in a 6-2 ruling (Barrett did not take part since she was not on the Court when the case was heard). The background of this case is actually kind of important to understanding what just happened, so here’s a quick(ish) recap.

So, basically, we have another set of incoherent, and weird rulings from the CAFC, and once it gets on the SCOTUS radar, they shoot it down.

The patent court needs to be abolished.  The argument for it, that there needs to be a court with a specialized focus on patents is simply not justified by the results.

Instead, we have an institution that is completely captured by the patent bar, and has literally allowed for the patenting of a rainy day (Bilski v. Kappos,).

Just shut them down, and reassign the current judges to traffic court.

 

IP Insanity in One Ironic Twist

When I was your age, this is how we did memes!


Payback, Bitches!

A concert being live streamed on Twitch had its music replaced with 8-bit folk music because it included music from Metallica.

The interesting thing about this is that it was Metallica playing Metallica, which, considering their actions during the whole Napster affair, is rather amusing:

Long time copyright watchers know that Metallica sullied its reputation with tons of fans when it was the first band to sue the file sharing upstart Napster back in 2000 (and also sued three universities for “not blocking Napster”). The band’s drummer, Lars Ulrich, became an outspoken critic of file sharing and the internet, the early face of super wealthy musicians whining about the internet changing the way they did things, leading to the classic Money Good! Napster Bad! meme.

Over the years, Metallica has tried to do more to “embrace” the internet, but almost every time, fans jump up to remind them about what assholes they were towards the early internet experience.

And that brings us around to Friday evening, when Metallica was set to play a streamed “live” show to kick off BlizzCon (an event for video game company Blizzard). The event was streamed live on Twitch, which has had some copyright problems of late. It appears that as Metallica was playing, and the Twitch Gaming channel was streaming the concert, someone realized that there might be a copyright problem. As first called out by Rod Breslau, the channel inserted 8-bit folks music over Metallica’s live performance to avoid a situation that, uh, Metallica might sue over.

This is sweet, sweet payback, and I expect this to get memed to death.

You Have Got to be Sh%$ting Me

The AMC network has started threatening fans with copyright litigation for making guesses about plot twists:

What’s up, Hollywood TV people? Hey, could you do everyone a favor and maybe stop being complete assholes to your biggest fans — and especially completely abusing copyright law to harass and bully those people? Almost exactly a month ago we wrote about HBO abusing the DMCA process to go after people who were predicting what would happen in Game of Thrones, accusing them of violating copyright law in accurately predicting what would happen in the future. As we noted, that’s not at all how copyright law works, but apparently AMC took a look at what HBO was doing and said “hey, let’s do that too.”

A large Facebook fan group (with almost 400,000 subscribers) called “The Spoiling Dead Fans” has announced that it has received a completely bogus DMCA notice from AMC:

After two years, AMC finally reached out to us! But it wasn’t a request not to post any info about the Lucille Victim or any type of friendly attempt at compromise, it was a cease and desist and a threat of a lawsuit by AMC Holdings, LLC’s attorney, Dennis Wilson. They say we can’t make any type of prediction about the Lucille Victim. Their stance is that making such a prediction would be considered copyright infringement. AMC tells us that we made some claim somewhere that says we received “copyright protected, trade secret information about the most critical plot information in the unreleased next season of The Walking Dead” and that we announced we were going to disclose this protected information. We still aren’t sure where we supposedly made this claim because they did not identify where it was.

Their stance is wrong and short-sighted. It’s wrong because merely predicting what’s going to happen in a show is not copyright infringement. It’s short-sighted because the people making these guesses tend to be the show’s biggest fans. Pissing off your shows’ biggest fans not only seems monumentally assholish, but also entirely counterproductive.

The DMCA is arguably the worst piece of legislation passed in my lifetime.

Well, Here is a Hearty F%$# You to Larry Ellison

Oracle just lost its lawsuit against Google.

It was attempting to claim that its Applications Programming Interface (API) was a copyrightable element, which would have had the effect of allowing Oracle, and other makers of software platforms, to charge programmers for writing compatible programs:

A jury ruled in favor of Google on Thursday in a long legal dispute with Oracle over software used to power most of the world’s smartphones.

Oracle contended that Google used copyrighted material in 11,000 of its 13 million lines of software code in Android, its mobile phone operating system. Oracle asked for $9 billion from Google. Google said it made fair use of that code and owed nothing.

The victory for Google cheered other software developers, who operate much the way Google did when it comes to so-called open-source software. Unlike traditional software created by corporations and tightly held, open-source products are released, often with some restrictions, for anyone to use and modify.

………

The particular areas of copyright protection in Java involved the so-called declaring code in Application Programming Interfaces, or A.P.I.s., which have become the common way that networked programs on the Internet share data.

Declaring code establishes standards and meanings by which future lines of software, the actual effects the software seeks to create, will operate. This distinction compelled the 10 jurors — eight women and two men — to hear extensive testimony by engineers and economists about the nature of code, and the copyrightable implications of this type of creativity.

The idea that APIs are copyrightable is insane.

It makes independent development of software impossible.

Asshole of the Day

The Columbia Broadcast System:

For “Star Trek” fans it was like finding a lost Shakespeare play — only to have it snatched away by the playwright’s heirs.

Last fall an unused script for the cult 1960s television show turned up after being forgotten for years. Its author, the science-fiction writer Norman Spinrad, announced that it would become an episode of a popular Web series, “Star Trek New Voyages: Phase II,” which features amateur actors in the classic roles of Capt. James T. Kirk, Mr. Spock and other crew members of the starship Enterprise.

But then another player stepped in: CBS, which said it owned the script and blocked a planned Web production of it. Trekkies were appalled. “These executives should be phasered on heavy stun,” said Harmon Fields of Manhattan, who called himself “a ‘Star Trek’ fan of galactic proportions.”

………

The story begins in 1967, after Mr. Spinrad wrote an acclaimed episode of the original series, “The Doomsday Machine.” “I did ‘The Doomsday Machine’ fast,” Mr. Spinrad, 71, said by phone from his home in Greenwich Village, “and then they said: ‘We’re in a hole. Can you write something in four days?’ ”

The result was “He Walked Among Us,” which the producers envisioned as a dramatic vehicle for the comedian Milton Berle. His character is a well-meaning but messianic sociologist whose conduct threatens to destroy the planet Jugal. The crew of the Enterprise must remove him without disrupting the normal development of the culture.

………

Mr. Spinrad soon donated his sole copy of “He Walked Among Us” and other papers to California State University, Fullerton. With several other drafts of the script, it lay in the archives for decades. Sharon Perry, the university’s archivist and special collections librarian, said she had received only one inquiry about “He Walked Among Us” in her 27 years there.

But in October, at the annual New York City Collectible Paperback and Pulp Fiction Expo, a man seeking Mr. Spinrad’s autograph showed up with a copy of the script, which he said he found at another convention. A few months later Mr. Spinrad began selling the script on Amazon and Barnesandnoble.com, and the producers of “Star Trek New Voyages: Phase II” learned of it.

Based in Ticonderoga, N.Y., “Phase II” is one of numerous fan-generated “Star Trek” Internet series, this one named for “Star Trek Phase II,” Mr. Roddenberry’s failed 1977 attempt to revive his creation for television. This Web series is distinguished by its fidelity to the original’s sets, costumes, props, music and other elements, as well as appearances by some original cast members and new stories by writers like Ms. Fontana.

Over the years CBS gained the television, online and merchandising rights to “Star Trek.” But because the “Phase II” cast and crew make no money from their work, the network usually allows them to indulge their hobby.

Around the time Mr. Spinrad offered “He Walked Among Us” online (confusingly he published an unrelated novel with the same title in 2010) he arranged with the “Phase II” senior executive producer, James Cawley, who also portrays Captain Kirk, to film it. The writer said he was “blown away” by the series and planned to direct the episode himself next fall.

But this month, Mr. Cawley said, CBS asked him in an e-mail to cease and desist. CBS also contacted Mr. Spinrad, who withdrew “He Walked Among Us” from the Internet.

The network said it was now “considering opportunities to offer licensed copies of the work.”

F%$# CBS.

Without lube.

I Endorse this Group

The Repair Organization is dedicated to the idea that people have the right to repair the stuff that they own without being locked out through IP protections:

Last summer, when the Copyright Office asked if anyone wanted to defend the right for video game console jailbreakers to mod or repair their systems, no one had a formal legal argument prepared. A new association representing repairmen and women across all industries was just formed to make sure nothing like that ever happens again.

Repair groups from across the industry announced that they have formed The Repair Coalition, a lobbying and advocacy group that will focus on reforming the Digital Millennium Copyright Act to preserve the “right to repair” anything from cell phones and computers to tractors, watches, refrigerators, and cars. It will also focus on passing state-level legislation that will require manufacturers to sell repair parts to independent repair shops and to consumers and will prevent them from artificially locking down their products to would-be repairers.

………

That problem—that manufacturers of everything are trying to control the secondary repair market—has two main sources, Gordon-Byrne said. First, manufacturers use federal copyright law to say that they control the software inside of gadgets and that only they or licensed repair shops should be allowed to work on it. Second, manufacturers won’t sell replacement parts or guides to the masses, and often use esoteric parts in order to specifically lock down the devices.

These problems have been well known in the smartphone, computer, and consumer electronics for years, and it’s why groups like iFixit and the Electronic Frontier Foundation have been able to mount successful challenges to the DMCA in recent years. Increasingly, however, these problems are spilling over into just about every other industry.

………

And so The Repair Coalition will primarily work at a federal level to repeal Section 1201 of the DMCA, which states that it’s illegal to “circumvent a technological measure that effectively controls access to a work protected under [the DMCA].” Thus far, activists have tried to gain “exemptions” to this section—it’s why you’re allowed to repair a John Deere tractor or a smartphone that has software in it. But the exemption process is grueling and has to be done every three years.

………


On a state level, the group will push for laws such as one being proposed in New York that would require manufacturers to provide repair manuals and sell parts to anyone—not just licensed repair people—for their products. The thought is that, if enough states pass similar legislation, it will become burdensome for manufacturers to continue along with the status quo. At some point, it will become easier to simply allow people to fix the things they own.

“We want to become an umbrella organization for repair,” Gordon-Byrne said. “We want to help the small repair technicians that aren’t getting help from anywhere else.”

When the DMCA was passed, we were warned that this would happen.

And now it has.

The law needs to be fixed, though repeal would be a better option.

Today in IP Stupidity

The Harvard Law Review Society publishes a book called the “A Uniform System of Citation,” for lawyers.

It’s more generally referred to as “The Blue Book”, and a group of law students at NYU are publishing a similar set of instructions, which they have referred to as the “Baby Blue”.

The response from the HLRS? A cease and desist letter to the students from their lawyer:

War is brewing over the most boring piece of intellectual property imaginable: the “Bluebook,” the 580-page quasi-authoritative source of proper legal citation formats published by the Harvard Law Review, described by Adam Liptak of the New York Times a few months ago as “a comically elaborate thicket of random and counterintuitive rules about how to cite judicial decisions, law review articles and the like [that] is both grotesque and indispensable.”

Students at NYU Law School have prepared a new, streamlined, open-access citation system and gotten it ready for publication; but Chris Sprigman, a law prof at NYU, posted this open letter to his “law professor friends” yesterday:

I am writing to ask you to help me with something important. You may know that for the last year, I’ve been working on a public domain implementation of the Bluebook’s Uniform System of Citation.

The work, which I’ve named ‪#‎BabyBlue‬, is now done, but we’re holding it, because the Harvard Law Review Association has hired counsel and is threatening to sue (me, and Carl Malamud of PublicResource.org, the publisher).

………

The conflict has been brewing for a few months — starting with a letter from Harvard Law Review’s lawyers to publisher Carl Malamud of PublicResource.org:

I write concerning . . . your imminent release of an “implementation of the Bluebook’s Uniform System of Citation” called “BabyBlue,” possibly as soon as December 31, 2015. Based on the description of “BabyBlue” … we believe that “BabyBlue” may include content identical or substantially similar to content or other aspects of The Bluebook that constitute original works of authorship protected by copyright, and which are covered by various United States copyright registrations.


………

It’s copyright nonsense, and Harvard should be ashamed of itself for loosing its legal hounds to dispense it in order to protect its (apparently fairly lucrative) publication monopoly.

Here’s a bit of free legal advice: If you want to assert copyright protection over something, don’t call it “A Uniform System of Citation” — because systems are, by definition, unprotected by copyright. Section 102(b) of the Copyright Act couldn’t be clearer:

In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, [or] method of operation, … regardless of the form in which it is described, explained, illustrated, or embodied in such work.

It gets even better.

It appears the Harvard Law Review Society is not the creator of this document:

Among the low points in an American legal education is the law student’s first encounter with The Bluebook, a 582-page style manual formally known as “A Uniform System of Citation.” It is a comically elaborate thicket of random and counterintuitive rules about how to cite judicial decisions, law review articles and the like. It is both grotesque and indispensable.

The Harvard Law Review has long claimed credit for creating The Bluebook. But a new article from two librarians at Yale Law School says its rival’s account is “wildly erroneous.” The librarians, Fred R. Shapiro and Julie Graves Krishnaswami, have done impressive archival research and make a persuasive case that their own institution is the guilty party.

“It’s clear that the idea of a uniform citation manual came from Yale, and a lot of the specifics of the early rules came from Yale,” Mr. Shapiro said in an interview. “Harvard entered into the picture later.”

………

The new article ends on a sheepish note.

“Some readers may question whether originating the hyper-complicated Bluebook should be a source of pride for Yale,” it says. “Our response is that, although the Bluebook version that subsequently developed under the leadership of Harvard Law Review currently consists of 582 fairly large pages, the two earliest Yale precursors of the Bluebook were, respectively, one page and fifteen pages long.”

“And these were,” the article says, “very small pages.”

Shades of the song, Happy Birthday to You, where the evidence is fairly clear that the copyright holders never actually wrote the song.

Our IP system is broken, and needs to be fixed.

Actually, it needs to be burned to the ground, because the system has engendered attitudes that lead to this crap.

A Good Start

For profit academic research publishers are firmly in the category of, “Mindless jerks who’ll be the first against the wall when the revolution comes.”

A particularly nasty player in this sphere is Elsevier, the publisher of such items as The Lancet and Cell, and Gray’s Anatomy, and it is particularly aggressive in its charges, and in its aggressive use of copyright to enforce its charges.

All for publications where the content providers, and the editors work for volunteers.

It has now engendered a boycott in its home base of the Netherlands:

A long running dispute between Dutch universities and Elsevier has taken an interesting turn. Last week Koen Becking, chairman of the Executive Board of Tilburg University who has been negotiating with scientific publishers about an open access policy on behalf of Dutch universities with his colleague Gerard Meijer, announced a plan to start boycotting Elsevier.

As a first step in boycotting the publisher, the Association of Universities in the Netherlands (VSNU) has asked all scientists that are editor in chief of a journal published by Elsevier to give up their post. If this way of putting pressure on the publishers does not work, the next step would be to ask reviewers to stop working for Elsevier. After that, scientists could be asked to stop publishing in Elsevier journals.

The Netherlands has a clear position on Open Access. Sander Dekker, the State Secretary of Education has taken a strong position on Open Access, stating at the opening of the 2014 academic year in Leiden that ‘Science is not a goal in itself. Just as art is only art once it is seen, knowledge only becomes knowledge once it is shared.’

Dekker has set two Open Access targets: 40% of scientific publications should be made available through Open Access by 2016, and 100% by 2024. The preferred route is through gold Open Access – where the work is ‘born Open Access’. This means there is no cost for readers – and no subscriptions.

However Gerard Meijer, who handles the negotiations with Elsevier, says that the parties have not been able to come close to an agreement.

 ………

The 2015 Dutch boycott is significant. Typically negotiations with publishers occur at an institutional level and with representatives from the university libraries. This makes sense as libraries have long standing relationships with publishers and understand the minutiae of the licencing processes . However the Dutch negotiations have been led by the Vice Chancellors of the universities.  It is a country-wide negotiation at the highest level. And Vice Chancellors have the ability to request behaviour change of their research communities.

This boycott has the potential to be a significant game changer in the relationship between the research community and the world’s largest academic publisher. The remainder of this blog looks at some of the facts and figures relating to expenditure on Open Access in the UK. It underlines the importance of the Dutch position.The 2015 Dutch boycott is significant. Typically negotiations with publishers occur at an institutional level and with representatives from the university libraries. This makes sense as libraries have long standing relationships with publishers and understand the minutiae of the licencing processes . However the Dutch negotiations have been led by the Vice Chancellors of the universities.  It is a country-wide negotiation at the highest level. And Vice Chancellors have the ability to request behaviour change of their research communities.

These folks are leeches, who have made their business plan out of the free effort of academics.

I’d love to dance on their corporate grave.

What a Stupid F%$#ing Idea

If I had a time machine, I would go back in time to find the father of whoever came up with the idea of adding copy protections to JPEG images, and kick that man in the nuts so hard that he would be rendered sterile:

So much for hopes that the tech industry would back away from copyright protection any time soon. The Joint Photographic Experts Group recently launched a Privacy & Security initiative that potentially brings digital rights management (DRM) to regular JPEG images, not just the specialized JPEG 2000 format. The proposal could protect your privacy by encrypting metadata (such as where you took a photo), but it could also prevent you from copying or opening some pictures. Needless to say, that opens up a can of worms when it comes to fair use rights. If someone slapped DRM on a photo, you couldn’t use it for news, research or remixed art — many of the internet memes you know wouldn’t be possible.

This is so unbelievably stupid.

Today in IP Insanity

The city of Inglewood, California attempted to use copyright to prevent people from posting videos of their city council meetings.

Thankfully, thee judge called bullsh%$ on the town’s arguments:

Joseph Teixeira doesn’t like Inglewood Mayor James T. Butts, so he makes Youtube videos featuring City Council meeting footage.

The Mayor and Council decided to silence their critic by paying to register the videos of their city meetings with the US Copyright Office, then spending $50,000 in taxpayer money to retain a lawyer to sue Teixeira for copyright infringement.

The court was unimpressed with Inglewood’s leaders: it ruled that the council meetings weren’t copyrightable; that councils can’t make money from public records; and that the videos — in the event that they used anything copyrighted — were fair use. Now they face the possibility that Teixeira will recover fees for his pro bono counsel — more tax dollars flushed away in an illegal bid to prevent a critic from speaking.

Then there’s the Streisand Effect: in bringing this action, the City of Inglewood increased traffic to Teixeira’s videos by five hundred percent.

(emphasis original)

It’s nice that the judge slapped them down firmly.

Increasingly, IP is used to censor criticism and to privatize the public space, and it is a bad thing.

IP Restrictions Run Amok

The state of Georgia has characterized the act of posting its laws online as “terrorism”, clearly this is absurd:

Government officials have threatened “rogue archivist” Carl Malamud with legal action many times for his efforts to make public government documents widely available for free, but the state of Georgia has set a new standard for fighting this ridiculous battle: It’s suing Malamud for infringing its copyright of state laws by — horrors — publishing them online.

The state’s lawsuit, filed last week in Atlanta federal court, accuses Malamud of piracy — and worse, of “a form of ‘terrorism.'” His offense: Through his website, public.resource.org, he provides members of the public access to a searchable and downloadable scan of the Official Code of Georgia Annotated — that is, the entire body of state law. The state wants a court order forcing Malamud to stop.

Georgia and Malamud have been waging this battle for a couple of years, or ever since Malamud sent thumb drives bearing the scans to the speaker of the state House of Representatives in 2013. A cease-and-desist order, which Malamud rebuffed, came virtually by return mail.

This isn’t the first such battle Malamud has waged. For roughly two decades he’s been working to make public laws, codes and court documents, well, public. At almost every turn he’s been fought by government agencies that prefer to extract a fee from taxpayers for access, even though, as Malamud points out, the public pays for the work in the first place, via taxes.

………

The state’s own lawsuit acknowledges that the annotations are “valuable analysis and guidance regarding … state law.” And the core of its case isn’t that the annotations shouldn’t be broadly accessible, only that the state doesn’t want to pay the cost itself. LexisNexis shoulders the cost and in return gets the right to charge users, earning a profit.

If LexisNexis can’t recoup those costs because Malamud is providing a free alternative, the lawsuit asserts, the state “will be required to either stop publishing the annotations altogether or pay … using tax dollars.”

Well, yes. Isn’t that what taxes are for?

This is not something that the the state of Georgia should be playing anyone for this.

The state government has to have a copy of the laws and official interpretations in electronic form with annotations as a part of conducting business.

They don’t need to have LexisNexis extracting tolls from the citizenry to make this public.

The costs here are negligible to non-existent, and the assertion of copyright is absurd.

Democrats Need to Learn to F%$# the Mouse

The Democratic Party has found a generally friendly reception in Hollywood, and as a result, they have been at least as supportive of draconian and stupid legislation and regulation to increase the profits of Hollywood.

The Obama administration has now taken this to its absurd extreme, and has has filed an amicus brief with the Supreme Court supporting Oracle’s claim that APIs should be copyrightable:

The Justice Department is weighing in on the hot-button intellectual property dispute between Google and Oracle, telling the Supreme Court that APIs are protected by copyright.

The Obama administration’s position means it is siding with Oracle and a federal appeals court that said application programming interfaces are subject to copyright protections. The high court in January asked for the government’s views on the closely watched case.

The dispute centers on Google copying names, declarations, and header lines of the Java APIs in Android. Oracle filed suit, and in 2012, a San Francisco federal judge sided with Google. The judge ruled that the code in question could not be copyrighted. Oracle prevailed on appeal, however. A federal appeals court ruled that the “declaring code and the structure, sequence, and organization of the API packages are entitled to copyright protection.”

Google maintained that the code at issue is not entitled to copyright protection because it constitutes a “method of operation” or “system” that allows programs to communicate with one another.

“That argument is incorrect,” the administration told the justices.

In an amicus brief, computer scientists urged (PDF) the Supreme Court to reverse last year’s appeals court decision. “The Federal Circuit’s decision poses a significant threat to the technology sector and to the public,” they wrote. “If it is allowed to stand, Oracle and others will have an unprecedented and dangerous power over the future of innovation. API creators would have veto rights over any developer who wants to create a compatible program—regardless of whether she copies any literal code from the original API implementation. That, in turn, would upset the settled business practices that have enabled the American computer industry to flourish, and choke off many of the system’s benefits to consumers.”

Does the court really want operating system vendors to pick and choose who can write software, and what sort of software can be written, on their systems.

This is nuts. The purpose of copyright is to, “To promote the Progress of Science and useful Arts,”* and there is no way that expanding copyright in this manner does anything to promote progress.

This is insane, and this sort of  IP extremism is at the heart of much that is wrong with things like the DMCA, the TPP, Evergreening, and the continual extension of copyright because Disney does not want Steamboat Willie to enter the public domain.

This is nuts.

*http://en.wikipedia.org/wiki/Copyright_Clause

Stupid Lawyer Tricks………

A lawyer for the sorority Phi Sigma Sigma has sent a DMCA take-down notice to the Penny Arcade forums alleging misappropriation of trade secrets. (See also here)

They have also apparently sued the poster.

There, are of course any number of problems with this:

  • The Digital Millennium Copyright Act applies to copyright, not trade secrets.
  • The idea that the oaths, robes, secret handshakes, secret knocks, and seating arrangements are trade secrets is kind of laughable.
  • The post was made 3½ years ago, and has been publicly available since then, so the idea that it is a secret any more is ludicrous.
  • The Streisand Effect, wherein an attempt to censor information results in its wider dissemination.

In any case, this makes the description of rituals on Penny Arcade a legitimate topic for discussion.

Phi Sigma Sigma (PSS) secretly stands for Philanthropic Social Society. However, this is never written down or recorded (until now) because it is so “sacred”. The Handshake consists of a series of motions. Member A first begins with the pointer finger and the thumb surrounding Member B’s pointer finger and thumb. This is the “Phi”. Then Member A wraps the remaining fingers, middle, ring and pinky around the hand as a symbol of the “Sigma”. Depending on who is the senior member, the pinky finger is wrapped around the older member’s hand. Next is the hand knock. It goes Knock. Pause. Knock. Pause. Knock, knock, knock. The meetings are set up usually with the President, VP and other officers sitting at the front. The President wears a yellow or gold robe and the officers wear royal blue robes. The remaining members sit across from the officers in a pyramid formation with the base closest to the officers and the apex farthest from the officers. Members are seated by class order, then by alphabetical order. The table at which the President and Vice President are seated consists of candles on each side. Two gold candles and one blue at each corner of the table. Members usually recite an oath, “We, the members of Phi Sigma Sigma, promise to keep secret and sacred all of our proceedings.” The way to enter the pyramid is by using the hand knock to notify the members you are wanting to enter the room. The President will respond back with her gavel by repeating the knock. The person will enter then travel to the apex of the pyramid formation. The President will say the secret and sacred words “Remove the Veil” and then the member will respond back with the Chapter’s name, example, “Zeta Eta.” The Gold and King Blue symbolize “Perpetuity” and “Sincerity”. At initiation, blue “veils” (tulle from the local fabric store) are placed on the heads of the potential new members and are later removed to symbolize some sort of occult transformation and that they are full-fledged members.

This story has made it to the ΦΣΣ Wikipedia page I think that it’s time to understand that it’s game over, and any additional attempt to suppress this information serves neither the public nor the sorority.

There is Now a Nazi Definition of Chutzpah………

The descendants of Joseph Goebbels, the Nazi Minister of Propaganda, are suing Random House demanding royalties for the use of his quotes in the book Goebbels: A Biography:

The estate of Joseph Goebbels, Adolf Hitler’s minister of propaganda, is taking legal action against the publisher Random House over a new biography, claiming payment for the use of extracts from his diaries.

Cordula Schacht – a lawyer whose own father, Hjalmar Schacht, was Hitler’s minister of economics – is suing Random House Germany and its imprint Siedler, over the book Goebbels, by Peter Longerich, professor of modern German history at Royal Holloway, University of London.

Longerich, an authority on the Holocaust and Nazi era Germany, drew extensively on Goebbels’ diaries in his biography, which was published in Germany in 2010. Now those same passages from the diaries are set to appear in the English ­edition, which Penguin Random House UK and its imprint Bodley Head will publish on 7 May.

Rainer Dresen, general counsel of Random House Germany, told the Guardian that an important principle was at stake. “We are convinced that no money should go to a war criminal,” he said.

Agreed, Mr. Dresen.

Not only is this chutzpah, it’s insane, even when not considering the overweening nature of the international copyright regime.

Today in IP Insanity

Automakers are petitioning the Library of Congress prevent backyard mechanics from repairing their own cars:

Automakers are supporting provisions in copyright law that could prohibit home mechanics and car enthusiasts from repairing and modifying their own vehicles.

In comments filed with a federal agency that will determine whether tinkering with a car constitutes a copyright violation, OEMs and their main lobbying organization say cars have become too complex and dangerous for consumers and third parties to handle.

Allowing them to continue to fix their cars has become “legally problematic,” according to a written statement from the Auto Alliance, the main lobbying arm of automakers.

The dispute arises from a section of the Digital Millennium Copyright Act that no one thought could apply to vehicles when it was signed into law in 1998. But now, in an era where cars are rolling computing platforms, the U.S. Copyright Office is examining whether provisions of the law that protect intellectual property should prohibit people from modifying and tuning their cars.

Every three years, the office holds hearings on whether certain activities should be exempt from the DMCA’s section 1201, which governs technological measures that protect copyrighted work. The Electronic Frontier Foundation, a nonprofit organization that advocates for individual rights in the digital world, has asked the office to ensure that enthusiasts can continue working on cars by providing exemptions that would give them the right to access necessary car components.

This is under the anti-counterfeiting provisions of the DMCA, which not only prevents copying, it prevents “unauthorized access”, and the auto industry is attempting to lock down their cars to the backyard mechanic, and possibly the independent mechanics as well.

Do you want to have no alternative to price gouging by the dealer on maintenance?

Not What I Would Expect from the Koch Suckers at the Cato Institute

Considering their background, that of an Ayn Rand inspired think tank, I would think that their attitude toward IP, copyright and patents, would be one of absolute support, but here is an article where describes our current regime as regressive rent seeking:

………

All three of these critical national problems derive from the same source. We often talk about the last third of a century as an era of deregulation and the expansions of markets. And in certain areas that is certainly true. But the most important market rigidities that have been eliminated have been those that protected those from the middle class on down. In fact, the great paradox of the last third of a century is that we have actually had an explosion of regulation in this “supposedly deregulatory” era — but regulation that has the effect of redistributing, sometimes dramatically, upward.

A few examples will suffice to make the point. Intellectual property protections, especially patents and copyright, have been expanded dramatically over this period, both in time (through patent and copyright extensions for existing IP) and across space (by using trade agreements to push American IP principles into foreign law). While there is an argument that this expansion has actually reduced innovation, there is no doubt that it has allowed existing firms to use the force of law (rather than the market) to enrich themselves by reaching further into the pockets of consumers.

………

The article is actually fairly tepid in its conclusions, but considering that this is coming from the Cato institute, it does indicatge that the push-back against the American model of over aggressive IP protections is becoming more broadly accepted across the ideological spectrum.

I Think that I Invoked George Orwell Prematurely


Cartoon courtesy, XKCD

It appears that web based practice tests have license agreements that forbid you from remembering them: (all emphasis original)

Today’s copyright-induced stupidity is brought to you by… a whole host of regulatory institutions. An anonymous Techdirt reader sent in a pointer to this ridiculous warning that greets those accessing the National Association of Legal Assistants practice tests. (Press “Sign In” to view the legal threats pop-up.)

These online practice tests and all items contained herein are protected by federal copyright law. No part of this examination may be copied, reproduced or shared in any manner, in part or whole, by any means whatsoever, including memorization or electronic transmission.

While I realize there have been several attempts to broaden the coverage of copyright and extend its length towards the far end of perpetuity, I was unaware that federal copyright law now provides remedies for the creation of infringing memories.

This would be merely inane (but still noteworthy), if this stupidity began and ended with the NALA’s stern warning. But a search for that wording finds examples elsewhere.

Yeah, it ain’t just them. It’s the National Board of Chiropractic Examiners, the American Board of Perianesthesia Nursing Certification, the Texas Pharmacy Technician Certification Board, the American Association of Veterinary State Boards, the Oncology Nursing Certification Corporation, and the National Commission for Health Education Credentialing, Inc.

But the one that takes the cake is the Michigan State University, which actually forbids studying:

The examination and the items contained therein are protected by copyright law. No part of this examination may be copied or reproduced in part or whole by any means whatsoever, including memorization, note-taking, or electronic transmission.

Yep, a university has terms that ban studying.

Make the madness stop.

Cell Phone Unlocking Legal Again

Following on the Senate’s lead, the House has passed a bill re-legalizing the abilities of consumers to unlock cell phones:

This afternoon, the House passed S. 517, the Unlocking Consumer Choice and Wireless Competition Act, under unanimous consent. The bill allows consumers to “unlock” their cell phones so they can take a phone with them from one service provider to another. The bill already passed in the Senate, and will now make its way to the President’s desk for signing.

The following can be attributed to Laura Moy, Staff Attorney at Public Knowledge:

“This important legislation responds to hundreds of thousands of Americans who signed petitions, called, and wrote to government leaders asking for the right to unlock devices they legally own.

“We are particularly grateful to Mr. Goodlatte, Mr. Conyers, and Ms. Lofgren for their work on this important issue and their willingness to find a compromise that works for their constituencies, as well as for the wireless industry and public interest groups like ours.

“This bill ensures that consumers will be able to do what they rightfully expect to be able to do with phones they have purchased: use them on whatever network they like. It protects consumers who unlock their devices from possible criminal and civil liability under an overreaching copyright law known as the Digital Millennium Copyright Act (DMCA), which was designed to protect copyright but has had enormous unintended consequences.

“Not only will this legislation deliver on consumers’ expectations that they can use devices they own the way they see fit, but it will have other positive effects as well. It will make it easier for consumers to switch from one provider to another, improving competition in the wireless market; it will improve the availability of free and low-cost secondhand phones for consumers who cannot afford to purchase new devices; and it will keep millions of devices out of landfills.

“This is also an important first step toward reforming the DMCA, which goes far beyond its original intent to protect copyright. Ms. Lofgren has introduced a bill that would go beyond phone unlocking to allow Americans to break any digital lock as long as they’re not violating copyright. This could apply to consumer products that all Americans use, ranging from cars to tractors to hearing aids. We hope the House will take up the Lofgren bill soon.”

The Library of Congress decided that unlocking cell phones should become illegal under the DMCA, and people’s heads exploded, because they were being told that they could not unlock cell phones that THEY owned.

BTW, the Lofgren bill that is mentioned would change Section 1201 of the DMCA by making it it only applies to attempted piracy, and not to people doing things unlocking their own phone:

New legislation sponsored by Zoe Lofgren (D-CA), Thomas Massie (R-KY), Anna Eshoo (D-CA), and Jared Polis (D-CO) takes a broader approach to the issue. In addition to explicitly legalizing cell phone unlocking, the Unlocking Technology Act of 2013 also modifies the DMCA to make clear that unlocking copy-protected content is only illegal if it’s done in order to “facilitate the infringement of a copyright.” If a circumvention technology is “primarily designed or produced for the purpose of facilitating noninfringing uses,” that would not be a violation of copyright.

For example, Lofgren’s bill would likely make it legal for consumers to rip DVDs for personal use in much the same way they’ve long ripped CDs. It would remove legal impediments to making versions of copyrighted works that are accessible to blind users. And it would ensure that car owners have the freedom to service their vehicles without running afoul of copyright law.

Here is hoping that the rent seekers of the IP debate don’t win.

Meanwhile, Some Good News on the IP Front

The estate of Arthur Conan Doyle has been claiming that, even though most of the Sherlock Holmes stories are out of copyright, a few are old enough to fall under the Mickey Mouse copyright extensions,* so the whole character falls under copyright.

The appellate court ruled against them and now the Supreme Court has denied cert, effectively ending the case in favor of the public domain:

Supreme Court Justice Elena Kagan refused on Thursday afternoon to block a federal appeals court ruling against continued copyright protection for fictional detective Sherlock Holmes, for any stories about him that have entered the public domain. Kagan acted without even asking for a response from an author who is preparing a new Holmes anthology, and she gave no explanation for her denial of a stay.

The nickel tour of the original case is here:

The estate has been attempting to block a California lawyer and Holmes fancier, Leslie S. Klinger, from publishing a new book about the two characters unless he is willing to get a license from the estate and pay a fee. The U.S. Court of Appeals for the Seventh Circuit rejected the estate’s copyright claim, calling it “quixotic.” The new filing at the Court, including the Seventh Circuit’s ruling as an appendix, has been docketed as 14A47, and can be read here.

………

Doyle has been dead for eighty-four years, but because of extensions of copyright terms, ten of his fifty-six short stories continue to be protected from copying. All of the short stories and four novels were published between 1887 and 1927, but all of the collection except ten short stories have entered into the public domain as copyrights expired.

The Doyle estate, though, is pressing a quite unusual copyright theory. It contends that, since Doyle continued to develop the characters of Holmes and Watson throughout all of the stories, the characters themselves cannot be copied even for what Doyle wrote about them in the works that are now part of the public domain and thus ordinarily would be fair game for use by others.

It’s nice that cockamamie IP theories are no longer getting judicial deference.

*I mean that literally. Disney has been vociferous in lobbying for copyright extensions to ensure that the first Mickey Mouse cartoon, Steamboat Willie, remain out of the public domain.

I Think that the Worm is Turning on IP

Ten years ago, 90% of the population did not know what a patent troll was, and now popular effort sinks the nomination of a patent troll supporter to run the USPTO:

The Obama Administration has changed its mind over a plan to name pharmaceutical executive Phil Johnson as head of the U.S. Patent and Trademark Office, according to multiple sources. The reversal is a victory for the technology industry and other proponents of patent reform.

The plan to appoint Johnson surfaced in late June, and was met with outrage on social media, where critics claimed the choice reflected hypocrisy on the part of President Obama, who had called for fixes to the patent system in his January State of the Union address.

Johnson, a longtime attorney for Johnson & Johnson, was a controversial nominee in part because he helped lead opposition to a bipartisan bill, which died in May, that would have made it easier for companies to challenge bad patents and to seek legal fees from so-called “patent trolls.” He has also publicly scorned previous attempts to reform the patent system.

News of the White House’s decision to backtrack on the appointment came via a person close to the Administration, and was confirmed by several industry sources. The final decision to pull the plug may have occurred after Senator Chuck Schumer (D-NY) vocally declared his opposition to Johnson. Schumer, who was one of the authors of the failed reform bill, has regularly blasted the harm the current patent system is inflicting on start-ups and young companies.

It would have literally inconceivable that someone like Johnson would have been shot down by a bunch of people objecting to the legal fine points of the purpose of IP.

While IP protections have their place, are a form of rent seeking, and for a just and prosperous society, it behooves us to minimize the level of rent seeking to the absolute minimum level to encourage artistic and technological production (Article I, Section 8, Clause 8 of the United States Constitution).

This is baby steps, but if it is the start of a trend, it constitute a seismic shift from the (completely ahistorical, United States industry was built on IP appropriation) view that ever more expansive protections to IP are essential to economic well being.

Now if only we can convince the US Trade Rep to chill out.